NKISI is a music/performance hybrid that aims to dialogue with cosmogonies, cults and rituals, focusing on music and dance mediated by robotic sound and lighting devices.
This project represents a development of a previous work - RADA™, a robotic music ensemble - providing a number of improvements, namely the actuation of the membranophones, by fitting a loudspeaker inside, and enabling each instrument to be self-contained and moved by performers, while being controlled wirelessly. These modifications allowed to explore the motion of these actuated instruments and its interaction with the acoustic space, as well as scenic motifs between performers and instruments within the performance space.
RADA™ is a robotic music ensemble comprised of three similar membranophones. Read more.
Artistic Direction: Gil MAC
Performer-Creators: Ana Rita Xavier, Cláudio Vidal, Dori Nigro, Wura Moraes
Music, Electronics and Programming: Tiago Ângelo
Lighting Design: Nuno Patinho
Research and Video: Gonçalo Mota
Production Coordination: Liliana Abreu
Assistant Director: Rodrigo Malvar
Movement Support: Vânia Rovisco
Research Support: Stela Cunha
Costume Support: Mário Calisto
Photography: Rui Pinheiro
Co-production: Teatro Oficina, Mafagafa
Residency Support: Projecto Agit Lab, CRL - Central Eléctrica, GNRation, Oficinas do Convento, Sonoscopia
Support: Portuguese Directorate-General for the Arts (Direção-Geral das Artes).
This project was part of a Doctoral Program in Digital Media at FEUP (Faculty of Engineering - University of Porto) with the support of FCT (Foundation for Science and Technology - Portugal).